In the spring of 2006, I
was assigned my first composition course,
English 1102, a first-year course with an emphasis on research. I was
thrilled to be teaching first-year composition. I had all the
enthusiasm and ideologies of a new instructor, fraught with all the
anxieties and insecurities of being an inexperienced, young, female
instructor. I came equipped with a syllabus crafted in a course on the
pedagogy of high school and secondary composition instruction. The last
fourth of my course would be devoted to the study of technology and
writing. It is amusing now to recall that all the theory in the world
could never prepare me for the experience of that first year of
practice.
In week ten of the
course, I announced to the students that in
consideration of the focus on writing technologies, they would be given
the option of producing a non-conventional, multimedia text as an
alternative to the standard 8-10 page research paper.
This meant that students
could simply create a PowerPoint presentation,
develop a web page, design a MySpace page, or even produce a
documentary. In any case, all alternative approaches would require a
demonstration in front of the class. Those who would choose to do a
documentary must refer to the video production tutorials on Current
TV's website, a new cable channel/website committed to airing "Viewer
Created Content" of multiple genres. In retrospect, it is obvious that
the parameters for the multimedia assignment were not properly set, my
objectives were unclear, and my assessment techniques were imprecise.
These truths were obvious when the big day arrived for students to
showcase their work. We dimmed the lights of the room in anticipation
of viewing the only student documentary that had been produced in the
class. What followed was a seven minute mockumentary depicting the
highs and lows in the competitive world of "Fooz Ball."
Sure, there were some
catchy aspects of the production, and it
generated some genuine laughter from the audience, which was
undoubtedly the intention. The intro was a closeup of a table-soccer
volley, set to a song that had to be edited for expletives, followed by
a silly skit. In the last scene, the audience was subjected to several
tedious minutes of the final Fooz Ball match.
Evidently, the
excitement of a table soccer match is not easily
translated onto the big screen. At least, this production failed to do
so. But the most glaring lesson of failure here was that I had not
placed the assignment within the proper rhetorical context. My
open-ended assignment had turned into a dismal representation of the
potential in multimedia student productions.
Erin Smith is an
experienced producer and instructor of digital video
in composition classrooms. She "encourages instructors to have clear
goals and be able to explain to students what is being evaluated when
using digital video" (Meeks & Illyasova 7). This is wise advice
that I learned the hard way.
The "Fooz Ball" video
regrettably lacked any sense of rhetorical
purpose. Despite my disappointment with the piece, I gave the student a
score of 90%, realizing that I had failed to make my expectations
clear, and noting the apparent time and effort that went into making
the short film.
I had to find the proper
rhetorical context for this assignment and try
again the following semestesr. >>
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