Then: My Conclusion

In my own classroom, I build a strong foundation in rhetorical principles using Faigley's text, Good Reasons. In the course of a semester, students are asked to write numerous rhetorical analyses, a narrative argument, causal argument, and evaluative argument, all of which appropriately lead up to the proposal assignment.

As a testament to my institution's dedication to the use of technology in English studies, each composition classroom at Kennesaw State University is equipped with a computer for each student, allowing me to assign daily in-class writings that encourage invention and build up to their major assignments in the course.

The week before a major assignment is due, I provide in-class writing time during which I conference with each student in order to facilitate and aid in the writing process. All students benefit from the one-on-one instruction and I am better able to assess the progress being made on each assignment. Students choosing to do a documentary for this assignment must write their way into their argument, just as those writing a traditional paper must.

The composition process is equally emphasized when students produce proposal documentaries as the final product in my course. I expect that the results will continue to impress and validate the use of new media texts in the composition classroom in the years to come.

It is also worth noting that problems arise within the realms of university protocol and staying within the conventions of academic norms. I still have not determined how to negotiate the policies of IRB and the production and use of student documentaries. Meeks and Illyasova have this to say about the issue:

But, this open space is also an administrative nightmare: Working out permissions, ad hoc protocols for procedures, and troubleshooting the technical errors. Such spaces aren't for the faint of heart, but then neither were land grand universities in 1862. (4)

Even as I write this, I feel the anxiety associated with such protocols and procedures. And as a relatively new instructor, I know that I will have to learn through trial and error how to maneuver through the conventions set in place by the traditions of the university. But I must forge ahead, continuing my inquiry while honing the proposal documentary assignment, knowing that my students, my institution, and the field of composition and rhetoric will benefit from the innovation of new media applications in the composition classroom. Now is the time for reflection and radical thinking, and I have made those first tenuous steps.

This is the new age in composition studies, and I look hopefully towards the future, ready to embrace the many possibilities.

This is a video presentation* I made as a virtual seminar presentation. >>