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Self-Analysis:
A Call for Multimodality in Personal Narrative Composition |
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two Encourage students to use the medium they know to compose their narratives. Having students use a technology with which they are familiar serves two purposes. First, there is not enough time in a semester course to teach the various technologies that students will want to use, so having them to use one they know something about keeps your focus on the composing. Second, allowing them to compose in a familiar mode pushes them to explore their own experiences and can increase their self-confidence as they realize the different knowledge they already possess in various areas and the importance of that knowledge in creating their composition. When
I decided that the focus of my audio project would be music literacy
in my family, I first had to consider how that story could best be
told. I actually remember listening to narrative radio programs
like “Lum and Abner” when I was young. Every Sunday morning for
what seemed like a year, we ate breakfast while listening to J. R.
R. Tolkein’s The Hobbit on NPR. When my parents grounded me
from watching television, I found the ABC affiliate on the radio and
listened to my favorite shows (after all, they had only grounded me
from watching them). That early experience gave me a template
for what made a good audio narrative. Sometimes when the “live
studio audience” was laughing at something that happened on a sitcom
that I was listening to, I didn’t get the joke A background in music also gave me a good sense of timing in my audio composition. I knew that I needed a certain amount of time for the musical introduction and transition time in between each section. I also realized the necessity of an ending that would connect with my audience. My essay needed a crescendo, and my then two-year old daughter singing “Twinkle, Twinkle Little Star” was perfect for that. |